542 Royalty-Free Audio Tracks for "A Chord"

Literally just me playing the first half of a scale on the low e chord and then reversed but it sounds cool.

Dybby am chord made on modular synth. The 3 voice oscillator mfb osc-03 is tuned to an am chord (saw tooth wave) (tuned by ear. . . ). The sound is going to an uoki-toki polivoks filter in band pass mode and to a vca. From vca to zoom ms-70cdr tape echo effect and back to modular and into the ladik r-330 reverb. From reverb to mixer and out module to computer and audacity. And to you :-).

Again a nice chord from a clock bell. That one is recorded from the inside which gives a smoother sound. Not that heavy on ears. Again recorded with a tascam dr100.

I had this idea yesterday i think, to record a set of chords in vocal with the lords name. This is the chord progression::. 1st. F g# c = f minor. 2nd. D f a# = i'm calling this a d minor augmented. This is really a bflat major chord, but since i started it with a 'd', i'm calling in a d minor augmented ; ) someone's gottago for it. 3rd. G# c d# = g# major. 4th. F a c = f major. Please enjoy and comment, if you use it in anything i would just like to know, but please feel free to use this anywhere. Thanks, god bless.

A simple arpeggiated chord. Spaghetti-western guitar is a set of distorted, semi-ambient electric guitar. It was made with stereotypical cowboy themes in mind, but could be adapted for other uses. All sounds are public domain and do not require credit, but i'd love to hear about how you use them!.

Two octaves of guitar power chords from an orange microcrush miniature guitar amp. Recorded 24-bit with a condenser and ribbon microphone, mixing between the two, slightly panned. There are two takes for each octave's chord.

Re-sampled pad at 172 bpm, the key is unknown as i believe it is a chord, it's a mix of g and f.

A chord progression in c minor made on lmms, played on bells put through phasing and delay. If you make music using this, please leave a link under this post.

This is a so called "epic" chord progression (amcfg) played rhythmically by the string section of an orchestra: basses, cellos and violins.

This is kind of neat. . . . A g-chord played on my 12-string, then looped several times so it sounds like it is holding for a long time.

Recording of piano (physical, not electronic keyboard) tones and a chord (mostly c in different octaves), made quickly with cellphone with a little bit of noise, hopefully can still be useful.

Giovanni Benedetti's 1563 example of a comma "pump" or drift by a syntonic comma (21.51 cents) during a progression. Common tones between chords are the same pitch, with the other notes tuned in pure intervals to the common tones.

Electric guitar, minimal distortion based on c sharp with an almost power chord like single note performance until the break.

Original sound was a piano chord manipulated in the ipad samplr app. Sounds a bit robotish, droney, could be used as an alarm? go wild!.

A fun "whooshy" intro from a project never finished. Clocked around 150 bpm. Old project, not sure what that chord is and the end of the intro :).

An upright piano chord sequence repeated three times, and a clock ticks!. This recording is not a perfect loop but able to be made such. Tempo is synced to clock ticks and so is almost accurately 120 bpm. Recorded by sony xperia c5305.

Shorter version of a another posted sound a reversed soundfile of an arpeggio using notes from the chord cadd9b5 originallly with a panning notch filter with nother added and reverb also.

This is a piece of music i made in fl studio. The hits are really hard so you may want to turn down your volume a bit.

This is the 3rd of a set of electronic snippets inspired by my recent database course. This is the only piece that does not loop. Created in garageband.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

A simple three chord guitar loop extracted from my rc505 looper (recorded output from vox tonelab le).

Created and uploaded in 45 minutes: that's the challenge!. This is more of a little fun loop thing. Polyrhythmic percussions + a brief visit by a droning chord. "this is. . . Earth radio. And now here is. . Human music. ".

Think of a spaceship launching from a desolate planet with hardly any fuel reserves. Sorta heavy distortion with the right amount of phaser and chord progression. Almost moody and atmospheric.

A chord progression loop i pulled from one of my remixes. Made with stacked synth pad and bass layers, and compiled in reaper.

A stretched and reverberated version of the final minor 9 chord of my song for solo piano, titled fate. It had no purpose just sitting in my audio folder so i decided to upload it here. Enjoy!.

Pianochord sample through echophon distorted, mimeophon erbe-verb and a little qpas. Rendered in reaper @ 48khz 32 bit with markers for you morphagene fans out there. Enjoy the wobbly bits!.

Another "holy" ambient sound, made by layering a synthesized voice speaking/singing part of the lord's player several times to create a ringing drone with a sustained chord in the background. Made in fl studio.

A luscious atmosphere made by adding various wet delay and reverb effects to a pad sequenced with a chord.

Finger picking an a-7 chord with my epiphone sg into a focusrite 2i2 interface to reaper. Added a pitch change with reverb and eq. I love how it gives an 'organ' sound. Comments welcome. :-).

Simple punk power chord progression, fun to play you can't go wrong with a little 0 3 5 now and then.

This is a reel for the make noise morphagene. It was created using the chord preset from mutable instruments plaits. The chords gravitate around c. I twiddled the knobs while recording and the results were fed through valhalla shimmer before i cut a few sections up and rearranged the audio to make a reel. Have fun!.

1st chord progression made with multisamples saw wave sampled from arturia minibrute loaded into a kontakt2nd one made with single waveform from the same samples loaded into serumjust for analyse the difference between the two signal. Donate: paypal. Me/rvone.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

A super deep digital-analog bass loop using fl studio's sytrus, along with a vintage simulator plugin and some distortion. The chord progression is from jean michel jarre's equinoxe part 1.

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Recordings of some spanish style licks and chords, used oktava mk-012-01 matched stereo pair and a simple ab split pair (one for body and for neck).

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

Here's a little chord loop i made. Please, if you use it, could you give me the links to your projects in the comments down below :)? thank you in advance and i'm looking forward to see your creativity!. Enjoy!. Information:key: c minor. Tempo: 125 bpm.

A member of the alpha loopset, consisting of a set of complementary synth loops. It is:. * in the key of c major, following the chord progression c-f-c-f. * four bars long at 110bpm. * normalized.

Part of the beta loopset, a set of complementary synth loops. It is:. * in the key of g mixolydian, following the chord progression g7sus4 fsus2. * four bars long at 110bpm. * normalized.

A little thing i came up with while doing some research on how j macis writes music. Found out he puts a capo on the second fret and by doing that this japanese pop chord progression i learned by watching a video marty friedman did on japanese style guitar improv was sounding a lot better than without one. This is free to use but if you do use it maybe throw my name on there, or at least show me what you did!. Recorded with a shitty usb mic i got for 20$ against an orange crush 20rt, effects used were a blues driver and a tube screamer.

The Lost Chord (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913 This is Edison Blue Amberol #2106, which is a reissue of Edison 4-minute Amberol #202

Big reverb and heavy distortion. Very indy/alt rock type of riff. Some extra effects at the end of each chord. Probably good idea to break it up into smaller sections as the end goes a little crazy with some not so over the top playing and noise.

C add 9 b5 chord played through a journeys synth using bell saw massacre voice at c3 for six seconds. Converted to audio file, copied, copy reversed and two files merged with automatic crossfade. Now 16 and a half seconds long.

A clip i created using eminor chord on synth with operatic alto voice trying to lure edmond to the castle. That voice is actually a male voice which happens to be me, lol.

I hope you feel this one too. . . It's deep is a quick 16-bar loop with a sweet guitar chord over deep bass notes. Perfect for using as a background into/outro tune with some vocals over the top. Enjoy. . .

A chord that is a bit creepy. Done it in garageband for something called victors crypt. Hope you like it. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

A synth chord made with an fl studio vst. Bassy/harmonic sound.

Simple type of chord progression, low gain type of distortion with a mild flange effect. Probably good for a break or intro but could be used for more if broken up. Changes tempo and tone near the end into something completely different.

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.